Category Archives: Media

‘I don’t want it to die’

‘I don’t want it to die’: one man’s battle to save the last phone box in his village

Reprinted from The Guardian 27 February 2025 by Emine Saner.

In 1935, Derek Harris was born – and so was the K6 red phone box. Now, Harris is spending his 90th year ensuring this beloved local facility isn’t lost.

The battleground at the heart of a struggle between an 89-year-old man and a multi-billion pound multinational is a small junction in a Norfolk village, where a red phone box stands. And at the red phone box, sheltering from the wind, is Derek Harris. Last month, he learned that BT (formerly British Telecom) was threatening to close the phone box in the village of Sharrington, where he has lived for 50 years, when he saw it on the agenda of the parish council meeting. “I thought: ‘I’d better do something about this,’” says Harris.

He has described it as a “David and Goliath” campaign. It is that, and – as becomes clear on this sunlit but biting February day – so much more. We will talk mortality and reprieves, heritage and value. I’ll leave with a renewed sense of how it’s possible to feel real affection for an inanimate object, and why having a mission matters.

First, though, some field mice. Sharrington is in a picturesque part of East Anglian countryside. “We’re surrounded by open, rolling, wonderful fields – arable, beautiful,” says Harris, “except they’re inhabited by field mice – and field mice have developed a penchant for the PVC that protects the copper cabling [of phone lines]. Opposite the church, which is just up the road, there is a telegraph pole, and in it, there are three mice nesting.” His eyes sparkle. The rodents gnawed through the wires, disrupting villagers’ phone lines and internet. He knows about the mice, he says, because an engineer from Openreach, the BT-owned company that looks after the network, told him.

Harris keeps an eye on Openreach, because there is a green junction box, connected to the new fibreoptic cables, barely a couple of metres from the phone box. It wouldn’t take much to connect the payphone to fibreoptic, insists Harris – as with the whole telephone network, phone boxes will need to be upgraded to digital lines by the time the analogue network is switched off in 2027. “There’s no reason why it shouldn’t be connected, and so I’ve set my heart on it.” He says engineers visit most weeks anyway. “So maintenance [of the phone box] would be no problem. It’s cost-effective.”

The UK has 14,000 working phone boxes, down from 20,000 three years ago; at their peak in the 1990s, there were 100,000. Of these, around 3,000 are the iconic red design. When about 95% of households have a mobile phone, it’s perhaps a wonder that phone boxes survive at all.

Owned and run by BT, and costing millions of pounds each year, they are required by the regulator Ofcom under the quaintly named telephony universal service obligation. In the year to May 2020, almost 150,000 calls were made to emergency services from phone boxes, as well as 25,000 and 20,000 calls made to Childline and Samaritans, respectively.

“We have a legal responsibility to make sure that phone boxes exist to meet the reasonable needs of citizens in the UK,” says Katie Hanson, senior consumer policy manager at Ofcom, who was part of its review on payphones, with new guidance published in 2022. “Obviously, what ‘reasonable needs’ looks like won’t be the same today as it was before everyone had a mobile phone. The approach we’ve taken is to say that boxes that we think are essential are protected from removal.”

‘It faced death in 2016; it’s still here’ … Harris with councillor Andrew Brown (left). Photograph: Joshua Bright/The Guardian

A phone box cannot be removed if it is the last in an area (more than 400 metres from another phone box), and if one or more of the following conditions apply: if it’s in an area without coverage from all four mobile network providers, or if at least 52 calls have been made from it in the past year, or if it is somewhere with a large number of accidents or suicides (Harris hopes his phone box’s proximity to the A148 is what might save it), or, finally, if there is a high social need – for instance, if it has a number of calls to helplines such as Childline or domestic abuse charities. If a phone box is the last at the site, and none of the other conditions apply, then if BT wants to remove it, it has to start the consultation process with the local authority, which is what has happened in Sharrington.

Last year, fewer than 10 calls were made from Sharrington’s public phone box and it is one of 10 in the North Norfolk district council area earmarked for removal. The village, in a conservation area, has a church dating from the 13th century and a Jacobean manor house. Harris believes the phone box is “an iconic heritage asset” and the local MP, Steff Aquarone, has written to Historic England to try to get it listed. “Working K6 models are rare,” says Harris. The K6 (for Kiosk No 6), topped with its gilded Tudor crown, was designed by Sir Giles Gilbert Scott to mark the silver jubilee of George V in 1935.

Harris has lived in Sharrington for half a century; it’s where he and his late wife brought up two children. The phone box has been there for even longer. Both Harris and the K6 share a birth year – 1935 – which partly explains his affinity for it. He spent his early life in Surrey, near Croydon Airport, enjoying the sight of planes flying overhead.

“Very interesting for a little boy,” he says. “It wasn’t such a good location when war started, because airports were targets.” The family evacuated to the south coast, but that wasn’t much safer – German fighter-bombers would attack the area in “tip and run” raids. When Harris was about eight, he survived one such attack while out playing with his brother. “We saw our friends falling wounded; a few got killed.” Years later, as a young man, Harris joined the army and was injured. “A field surgeon saved my life,” he says, but he was warned that he would need multiple operations in the coming years and not to expect a long life (he is, he reminds me a few times, in his “90th year”).

Sharrington’s phone box has also fought off previous threats to its life. “They made an attempt to decommission it in 2016 and we resisted it successfully,” says Harris. “I’ve faced death before, passed through it. It faced death in 2016; it’s still here. Something tells me that it’s meant to stay.” Harris and those campaigning to keep it, including local councillor Andrew Brown, have been given an extra month to plead their case.

“It can be a lifeline, and it’s a conservation asset,” says Brown, “a valuable communication resource, given the nature of mobile signalling being so poor around here.” The area is rural and isolated, some villagers have virtually no mobile signal, and North Norfolk has the highest proportion of older residents in England and Wales – the adults most likely not to have a mobile phone. And it has one of the highest proportions of second homes in the country. In an emergency, without a mobile signal or working payphone, try knocking on the door of an empty holiday home – one that probably doesn’t even have a landline anyway.

Making their case in 2016, says Harris, “we said it was an animate part of the conservation area. It wasn’t just a museum piece, and people did use it.” But, he acknowledges, “probably more than they do now.”

Many of the village elders, who relied on the phone box because they didn’t have mobile phones, have since died, but some elderly people still use it, insists Harris. If the box survives, one of the handful of calls it will have logged in 2025 will have been made by me. I lift the receiver and the crackle and deep hum of the dial tone takes me back to teenage

, quick garbled ones you had to make before your money ran out. This phone box doesn’t take coins and doesn’t charge me, which I’m confused about. It turns out that there are some phone boxes that can’t take coins or cards, and offer free calls to UK landlines and mobiles.

I ring the only number I can remember without looking at my contacts list – my partner’s. He doesn’t pick up, because who, in this day and age, answers an unknown landline number? So I WhatsApp him to say it was me, ringing from a phone box! We’re both momentarily thrilled by the novelty, and the nostalgia.

Mobile phones are everywhere, Harris admits, but he points out that in this part of the country, the signal is sketchy. “We live next to perhaps the most beautiful part of Norfolk, the tranquil Glaven Valley with a pure chalk stream running through it. It attracts ramblers, walkers, the lot, and everyone knows that there’s a working kiosk.” Think if there was an emergency and the mobile network was down – something that may happen more frequently as we increasingly experience extreme weather, he says. “Wouldn’t it be awful if someone said: ‘If only they had kept that working kiosk’?”

It has been used in emergencies. “What you have to bear in mind is the few calls that have been made have been vital, they’ve probably saved someone’s life. Not that long ago, there was a snowstorm.” The mobile network was down and the call someone made from the phone box “was the only way that rescue came to save this driver whose car was completely covered in snow – it fell off the top of the hedgerows on to his car, and he was trapped”. And not far away is the main road, known locally as the Sharrington straight – a rare straight stretch of road where Norfolk’s most reckless drivers tend to speed up. Last year, says Harris, “we had two accidents in one day, both serious hospital cases. It’s an accident hotspot.”

He makes his case with justifiable, practical reasons why the phone box should be kept, but this isn’t the whole story, I realise, when we’re talking, out of the cold, at a nearby cafe.

“Wouldn’t you like to see a working K6 retained by BT, just for the sake of it?” asks Harris. He is a good talker. He distrusts human rights lawyers, and misses the days when people respected the police. But he’s not all traditionalist – he spent much of his career working in energy conservation. I think he likes purpose and order – he is dressed impeccably in pressed jeans and shirt, and pristine traditional overcoat – which could be why he isn’t keen on the way red phone boxes have been repurposed in other villages. Under BT’s Adopt a Kiosk scheme, phone boxes have become libraries, or home to defibrillators. Why can’t Sharrington’s enjoy a new life as something like that?

“It was not designed for that,” says Harris. “What it was designed for was communication. Why should it be changed into something else? It’s a telephone kiosk. It’s not some sort of library or whatever.”

Change it into something else, and it becomes a quirky relic of British history. Another dial tone dead. As a functional phone box, says Harris, “it would be alive, wouldn’t it? That’s why I feel empathy – I feel an empathy for a living thing.”

For Harris, it’s personal. There’s a comfort in continuity, and it’s about conserving what is worth conserving, leaving the world a better place, or at least not diminished. That includes a working, iconic red phone box in the village in which he has lived for so long. “It’s fighting for what is valuable, cherished.” The older he gets, he says, “there’s this thing about intimations of mortality. The nearer you get to the end, the more you want to see things live. I wouldn’t like to see it die. That’s the way to put it. That’s what I’m fighting for.”

Box Boxing

I just found out about this new form of boxing phone booth boxing. Really? An online search took me to the following article – https://sidekickboxing.co.uk/what-is-phone-booth-boxing/

“If two fighters were going to have a boxing fight, you would imagine it would take place in a boxing ring. After all, that would make perfect sense. You wouldn’t assume for the life of you it would be in an old-fashioned red telephone box. Well, just when you thought there couldn’t be any more bizarre combat sports ideas, promoters are hosting phone booth boxing events. And YES, you read that right, boxing fights are now taking place in what’s called Phone-Booth-Boxing. Suppose, at least the unwanted phone boxes are going to some use.

Phone booth boxing is a sport originating in Russia in which two boxers fight in a phone booth. The phone booth is a small, enclosed space with no room for dodging or running. The boxers must use their fists and elbows to attack and defend themselves. The first boxer to knock the other out or force them to surrender wins the match. The phone box doesn’t have a phone inside which could be used to hit each other and it also doesn’t have any glass panels, this is so neither fighter will risk getting cut and so the referee can reach through to try and break up the fight when need be. Phone booth boxing is a dangerous sport, and there have been injuries associated with it. However, it is becoming a popular sport in Russia, and there are many people who enjoy the challenge and excitement of fighting in such a small space.

The Russian promotion Punch Box has very few rules with weight classes being almost non-existent, as slim guys have faced quite larger sized men. Both fighters start by facing away from each other. Then, as soon as the bell goes, they turn around and begin hitting their opponent. …

If you are considering trying phone booth boxing, it is important to be aware of the risks and to take all necessary precautions. You should wear protective gear, such as gloves and a helmet, and you should only fight with experienced boxers. You should also be aware of the signs of concussion and seek medical attention if you experience any of them.”

Quiz question

Telephone boxes recently made it as an answer on Only Connect:

Taskmaster storyboard

For this task the contestants had to completely hide themselves in the phone box, so that nothing of them could be seen by the time the clock stopped:

Regular advertising

Here’s an ad I came across recently. The red phone box is so flexible…

The small screen lately

The above are from Kaos, which I’m doing a binge of at the moment.

The ones below are from the movie Argyll (a contribution from Matthew on a flight across the globe somewhere), the backyard of The Taskmaster’s house and Australian comedy ‘Colin from Accounts’.

Junior Good Citizens

I came across an article in an edition of the ‘BT Today’ magazine, dated August 1991. Here, children (very cool kids from their fashion sense) are being taught how to be good citizens by using the phone to call the police when they come across trouble.

New category

I’ve been playing Candy Crush for probably over a decade and now have found another game to become a little obsessed over – Ghost Detective. Here are some screenshots featuring a phone box – hidden or not.

Boxes on FB

Art and the phone

“Amazing revelations’: the artist who asks passersby to bare all into an old-school telephone”

From The Guardian 28 May 2024

Joe Bloom has always admired the art of the phone conversation. “You see it in movies: it’s always this nostalgic and almost glamorous thing, holding a phone up to your ear and talking into this object,” he says. (Ironically, we’re talking over Zoom.) But many of us have cut phone calls out of our lives, losing touch with their otherworldly magic. While we’re perfectly content staring at screens and scrolling through endless content, speaking into the ether has become unnervingly unnatural. And even when we do take a call, it’s usually through earphones on the move rather than by actually sitting down and putting a phone to our ear.

For Bloom, this telephobia is part of a wider trend relating to our increasingly poor connections with each other. “There are a lot of barriers now stopping us from talking in certain ways to each other,” he says. As a young person, Bloom himself struggled with face-to-face interactions. “Growing up I found eye contact really difficult, and it made me struggle talking to someone.”

Now, though, Bloom talks and listens for the sake of art. His Instagram series A View from a Bridge invites strangers walking over London’s bridges to share their thoughts on life through an old-school red telephone, and pairs each recording with an introspective, carefully chosen piece of music. The project has been a hit; just three months since he posted the first video – which featured a man called Jason talking about the dangers of being overly patriotic – the page has amassed 232,000 followers.

In many ways, this social experiment seems to be in stark contrast to what Bloom is known for best: epic psychedelic oil paintings with vast colour palettes and vivid depictions of magical realist scenes, which have been showcased at the likes of Guts Gallery and Kristin Hjellegjerde Gallery in London. But he’s also a film-maker who has directed short dramas and documentaries. “I’ve always loved the projects that bridge a gap between film and art. I’m basically interested in storytelling,” he says.

A View from a Bridge stems from his love of early internet content, which was more about optimism than optimisation. “I remember being inspired years ago by Humans of New York on Facebook,” he says, talking fondly about the landmark portrait photography series. “What I really liked was that it had style but also substance.” But soon, he laments, our feeds were filled with ultra-processed content. “It went a bit nuts, and style and form were lost over just getting shit out there.”

This overflow of content includes lots of sketchy vox-pop videos. “Interviewing strangers is such a beautiful art form but it’s been made so tacky,” says Bloom. “You get some knobhead on the street running up to someone with a microphone asking them about their trauma. It feels awful. The AI-generated subtitles don’t even match up. It’s contrived and rushed. They just don’t care.”

From the outset, Bloom was drawn to the bridge as a setting for his project. “It’s an in-between place. You’re crossing over something, and that does something symbolic to your brain. It’s why there are so many phrases related to bridges,” he says. The final element was the series’ signature red telephone, inspired by one his mum owned.

On a February morning this year, Bloom placed it on Tower Bridge and (with the help of an assistant) invited passersby to pick it up and chat to him, while he recorded from 500 metres away. After some experimentation with the style, he landed on the series’ visual calling card: each video, shot lo-fi with a dated camera, begins with a closeup of the person talking, before Bloom gradually zooms out. In a way, it puts our own perspectives into perspective. “This individual person and their view of the world ultimately zooms out. The person becomes another cog in the system,” he explains.

The initial interactions were enlightening, but Bloom was anxious about sharing them. “I was terrified because the worst part of making art is having to share it,” he says. After sending them to friends and family, he worked up the courage to create the Instagram page and start posting. From the outset, he was always more interested in the people’s views than the video’s views. “I got a lot of joy just from my friends and family enjoying them,” he says.

Within weeks, millions more were coming across A View from a Bridge, after one of the videos – featuring a woman called Sue talking about working in HR – went viral. Her story involved a talented man at her company who was struggling to get promoted. Bosses in the workplace had been too scared to tell him the reason why – that his passion could sometimes spill over into anger. But when they eventually did explain this failing, he didn’t react badly, as they had expected, but understood immediately what he had to do to move forward. Sue says that, from that moment forward, she devoted herself to teaching managers the benefits of honesty in the workplace.

Since then, A View from a Bridge has featured topics of conversation ranging from the dangers of AI to running away to join the circus, and the real meaning of the term “ball-ache”. Thousands of people also join the conversations in the comments section, reacting, as expected, with a dizzying array of emotions and their own abridged stories.

Bloom thinks all this success is down to a simple fact: people love chatting. “I’ve learned that what people really want is to talk,” he says. It’s why he skews the interviews towards one-way conversations, often letting a silence hang in the air, to encourage people to speak their minds. Both he and us act as the listener on the other end. “This formula has allowed for some incredible revelations,” he says.

It’s also down to the power of the telephone itself. “It creates an openness for the person being interviewed. The action of holding the phone to your ear is powerful. It’s quite a calming thing,” he says. But he’s also encountered a barrier he didn’t expect: several young people who have wanted to get involved have been confused by the old-fashioned landline telephone. “It’s pretty funny. They don’t know what the hell this thing is,” he laughs.

Now on Patreon and increasingly taking up more of Bloom’s time, A View from a Bridge is set to reach even more people. Perhaps it will remind us not just of the art of the phone conversation but of the telephone itself, an engaging object that enables us all to open up – something many of us struggle with. “It’s quite a rare thing that people get the opportunity to do,” Bloom thinks. There is, it seems, life in the old dog and bone yet.